Mark 14:52

but he left the sheet in their hands, and fled naked.

when our identity
is known by
the corporate insignia
we willingly
put on every day
there comes a time
to give the economy
of the time
what belongs to it

leaving a corporate shroud
in its owners grasp
turns one to a shadow
all who lay burdens
on others enslaved
to provide their place
and time of power

Just like in an earlier episode when someone with a sword cut off an ear, this scene had no groundwork laid for it and no follow-up. If it were not for Mark’s frequent interruption of one story with another, these could be seen as arbitrary insertions from other stories about the arrest that were too dramatic to leave out and just stitched in.

What this episode does do is highlight that the disciples are not only quick to run away, but willing to go to every length to do so. In this case to run out of their clothes—to run away naked.

Waetjen250 does put a positive spin on this scene when he looks back on this moment from the vantage point of another youth announcing that Jesus has risen, and sees the “youth” as Mark’s narrator.

The youth of 14:51–52 fulfills the strategy of the implied author by serving as the ideal disciple in mirroring the reality of dying with Christ in baptism and its witness to the judgment of the Day of the Lord, which Jesus inaugurated and suffered.

This allows Waetjen, and others, to turn this transformation of a naked youth into a white-clad youth in a tomb being a sign of transfiguration for the disciples’ turn from inept students to fully fledged, spirit-filled, leaders in Galilee and beyond. This reading rests on references to a linen cloth and the age of the characters. Readers can tuck this away in their memory and see what they think of it at the end of Mark’s gospel.

My preference is more in keeping with La Verdiere2253 who notes the short scenes of swordplay and running away play, “a symbolic, literary role in the story, if not a historical one.” The energy present in both of these incidents adds images of importance and intensity to the narration to raise the stakes of betrayal.

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