it used to be ever so easy one little box alongside another check this one and that one too any box will do so so easy until it isn’t a thought a hunch will no longer do from seeming nowhere so well documented autogenic massacre between and within the smallest boxes no you can’t you’re not even you gaslighting abuse a handmaid’s tale crushes every fantasy routine has failed no spare courage will get us half-a-league onward guns surround little empty boxes rubble is but a matter of time so learn to play in the dirt there is no past to be great again and yet such sweet words meaning can be made even added together until there are no more untils bless yourself with yourself until all are blessed until so great a sweetness flows
it used to be
heads I win
tails you lose
now winning is
heads you lose
tails you lose
is the new
it is not
number of votes
but rounds per clip
two passionate followers
will run roughshod
over dozens of nice guys
no telling how much
exile and enslavement
loser winners will wreak
This bloggy thing is frustrating. I do due diligence, and still typos and just plain wrong words and syntax show up in the final product that goes out to a MailChimp audience of a very select few. I suppose I should be grateful so few receive the errors.
I jot these notes by hand with one or another of my daily carry fountain pens—sometimes even two if the ink runs out of one. I then enter those bespoke words into an everyday word processor, sprucing them up as I go. From there, Grammarly is called upon for a first go to suggest a more effective way to present such thoughts. The results are printed and shared with the house grammarian. Finally, adjustments are made, and the post is scheduled to be released at 5 AM of some weekday. At 9 AM, MailChimp looks in to see if there is a posting or postings since 9 AM of the previous day. Shortly after 9 AM, the posting shows up in people’s inbox.
Sometime in the course of the day, it is brought to my attention by a reader that some fubar snafu (with an emphasis upon the “f” in each descriptor) has occurred and some letter has been dropped, or a word misapplied that I cannot account for but is less than was intended.
Anyone who has a hint about how to better monitor my process so my frustration is lowered without leading to a lack of caring about such details … —Do tell.
Flags come in combinations of color and patterns. Those are symbols that people define in the grandest of terms that put themselves in their best light. My current dream of a flag to use as a standard revealing my allegiance shifts in the other direction.
The flag of my dreams is square instead of a rectangle. It won’t wave as well in a wind as a rectangle, but if desired, it could be placed in the center of a humble white rectangle of truce.
In the center of the square is a blue circle, one-third the area of the largest circle available on a square. It represents the “pale blue dot” of a planet of water—our only Indigenous home. Water—as the largest component of our bodies—reminds us to be humble.
Around such a starting point is a transparent circle (or as fine a grid as is just barely noticeable to distinguish it from any busy background against which it might be displayed). This is reminiscent of the air around us that we swim in and keep forgetting it is present until a derecho flattens us. Our imaginations need the invisible.
The remaining space contains a third circle touching the side of the square. It is green for the chlorophyll that is representative of the food that sustains us. No plants : no animals ∴ no food.
A rainbow’s remaining colors frame the circles of life—red, orange, yellow, and violet.
Any quilters or seamsters among the readers here who would give this a try?
There’s a hole
in our bucket
we sing in excuse
for not participating
for the common good
there’s no hole
in my bucket
we sing to defend
for the common good
for the common good
to be active
In a community song
welcoming the bucketless
to lead the whole
Supremacy is always a temporary state. Every one and every thing eats and is eaten, begins and ends. It doesn’t matter how much heritage one builds on—it, too, will fall. Whether the standard is the birth and death of stars or earth’s continents, worms or bacteria—something and nothing, rising and falling, reveal the larger background of stuff and process.
The U.S. is again reminded that it’s self-proclaimed “city of light built on a hill” is only as bright as its connections—internally and externally—and even then will only have its day, not a forever.
The “Supreme” Court does not rise above the ordinariness of all things. The Dread Scott decision failed to protect slavery. The Citizen’s United will fail to protect corporations and their ability to control politics through profits. Decisions about elections have not and will not protect democracy.
Even Brown v. Board of Education or Roe v. Wade will not avoid subversion, sabotage, and stupidity. People seem not to live long without feeling they control someone else’s opportunities and choices.
Whether our language is that of supremacy, entitlement, or privilege—we are always attempting to finalize the current status quo and protect current structural and cultural power.
Only occasionally does this word game of “supreme” or “perfect as is” get exposed for the charade it is. Even then, naked kings double down on strutting their stuff and grabbing the tender parts of others to defend their particular mountain—only one out of a whole range of mountains eroding away and on their way to being subsumed under a tectonic plate.
Supremacy continues to haunt dreams of community and visions of mutual care, common good, and general welfare.
when an equator
crosses the center
of a system’s star
those born but a day after
an autumnal equinox
are a winter conceived
descendant of darkness
carried through spring and summer
knowing all too well
and its own
more than enough
blessings to you
a heart of warmth
into settling cold
There are anti-social crimes. “Social” here means under the power and control of the group currently in authority. Those who most benefit from the already established economy get to set the limits on what does not benefit them. Such limitations take place at every level of granularity, which appears in instances where the same “crime” may be committed, but it is defined in one way for those inside the system and differently for those on the outside. Those who steal by way of the pen and legislation (white/white-collar) are judged and sentenced less harshly than those who do not have the levers of power available to them (Black/blue-collar).
We have few examples of pro-social activity until the above becomes egregious enough for sufficient numbers to gather in complaint. Those pro-social activists participate in one form of protest or another—usually a multi-generational movement. “Social,” in this context, means a rebalancing of what common good or general welfare might mean for all in the society. Social becomes another word for justice.
By the time protest becomes labeled as anti-social, it is recognized by those in power positions as dangerous to their continuing to live in the manner to which they have become accustomed.
It is very difficult for a culture to build-in pro-social safeguards for such retard the kinds of division that entitle one group over another—losing track of individual gifts, in favor of one perceived advantage, such as racism, or another.
An easy attack on pro-social activity is to label it “socialist.” If you can think of a pro-social activity beyond protest, it will aid future generations if that is enacted today, and again tomorrow, and again…. Boldness to you.
“Black is the color of my true love’s hair” carries the famous parody with it – “Black is the color of my love’s true hair.” With this shift of one word, the sentence and sentiment changes.
With the shift of one word, we move beyond a parody’s fondness to a blunt instrument known best in its negative form – propaganda. Replacing “Black Lives Matter” with “All Lives Matter” and “Blue Lives Matter,” there is the continued attempt to disappear a specific subculture of many subcultures.
Black is an evocative description of a creative beginning. James Weldon Johnson’s “Creation” begins with an inaccuracy of G*D stepping out on space before there is space. There is a better accuracy describing such a moment –
Darkness covered everything
Blacker than a hundred midnights
Down in a cypress swamp.
Risking the loss of an anthropomorphic arm to a yet unnamed crocodile, G*D is said to smile light into existence and beckon, “Bring forth!” Whereupon all manner of life assembled.
Described as “lonely still,” G*D’s next act is born out of a deepening loneliness yearning for something closer than simply light and multiplying things. Blackness is again entered—this time from the bottom of a clay deposit. A close encounter of the first order was released and kneaded into a mirror, more than dim, blacker than nano black – darker than Carlsbad after the tourists are gone. A non-reflective mirror holding ever- more-creation continually present.
Black is the color of G*D’s true image. This is not the imaginary category of race, but the making of way when there is no yet-way.
let’s have a protest contest pitting a protest against a protest protesting protests such a contest is nearly always won by those who have the most power the most to lose from the loss of what little advantage they have mostly economic bolstered politically legally an unequal contest worthy of contesting with a protest